For fans of Tim Burton’s iconic gothic romance, the Corpse Bride Skullector is a must‑have addition to any collection. Inspired by the beloved stop‑motion film Corpse Bride, this limited‑style ...

Ex-Cannibal Corpse vocalist Chris Barnes (who founded and currently fronts Six Feet Under) has been estranged from his former band since his dismissal in 1995. In a new interview, he explained that he ...

The Organless Corpse is a required puzzle in Resident Evil Requiem's Care Center, required to complete Grace's "Find the 3 Quartz" objective. To learn more about the game up to this point, see the ...

With just $13.5 million globally against an $80 million production budget, Maggie Gyllenhaal's film is shaping up to be one of the bigger flops of 2026. For Warner Bros., it ends a streak of nine ...

Instead, her creation is an amalgam of disparate concepts, brought together in defiance of storytelling logic (and the opinions of test-screen audiences). Jessie Buckley stars as Ida, a gangster’s ...

Because you can never have too many Frankenstein movies, director Maggie Gyllenhaal is throwing her hat into the ring with The Bride!, a new gothic romance loosely based on the 1935 film Bride of ...

Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s alive. Just months after Guillermo ...

Like the title character of her new movie “The Bride!,” Maggie Gyllenhaal got possessed by Mary Shelley. In crafting her genre-smashing take on “The Bride of Frankenstein,” the director went down a ...

The Bride! arrives this week, and the delay in its release—it was originally slated for fall 2025—makes perfect sense. That’s not just because the shift put distance between Guillermo del Toro’s ...

Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC properties ...

The premise of The Bride! is hidden from its advertising. Writer-director Maggie Gyllenhaal opens on Mary Shelley (an acidic Jessie Buckley) stuck in a black-and-white purgatory of sorts, only her ...